Amidst a brutal New York City snowstorm, The Verge highlights the enduring power of M83's sophomore effort, "Dead Cities, Red Seas & Lost Ghosts," re-framing it as an essential post-rock listen.
A Sonic Sanctuary in the Storm
The recent blizzards blanketing New York City have, for some, called for a specific sonic accompaniment. As The Verge observed, the quiet, snow-laden streets after dark became the perfect backdrop for M83's "Dead Cities, Red Seas & Lost Ghosts." This record, released before the band’s pivot towards more traditional pop structures and lyrical themes, is being re-appraised for its roots in the expansive, instrumental soundscapes of post-rock pioneers.
The Evolution of M83
Before Anthony Gonzalez began incorporating saxophone solos and exploring teen angst in his music, M83, then a French duo with Nicolas Fromageau, delved into largely instrumental territory. While their self-titled debut is noted as less memorable, "Dead Cities, Red Seas & Lost Ghosts" marked a significant step. The album drew heavily from the repetitive, dynamic power of bands like Mogwai and Godspeed You! Black Emperor, creating a distinct atmosphere that has clearly resonated with listeners across time and changing weather.
Enduring Resonance
The Verge’s piece suggests that "Dead Cities, Red Seas & Lost Ghosts" is more than just a nostalgic listen; it’s a testament to the band's early, formative sound. Its re-discovery during a major weather event underscores the album's ability to create a sense of place and mood, offering a profound auditory escape. This reassessment encourages a deeper appreciation for the band's less commercially-driven, yet equally impactful, early work, reminding us that some electronic artists have profound roots in instrumental genres that continue to shape their sonic identities.